Flugery L'vova - Day 1 - Especial ProjectsThe first day of May presented to our city the beginning of the VIII Festival “Flugery L’vova/ Weathervanes of L’viv. It was “dedicated” to experimental projects.The Festival was opened by the band «The Pol.E.Trio». It’s the project of the pianist Yuriy Seredin and it was joined by the guitarist Alex Maksymiv & drummer Igor Hnydyn, known mostly as a musician of the group «SchockolaD». The Trio performed a wonderful set of jazz-contemporary to be intricate as concerning melody & rhythmic structures and with soft sound. However, such like music would have been appreciated better if it sounded in the evening twilight or in a cozy club where people are intended to listen. So, it seemed to be too intellectual for our joyful & thirsty for entertainments audience . But the second band the Polish «Port Przemysl» (quintet: guitars, violin, accordion, bass guitar) perfectly suited to the Festival’s hubbub-beer-sausages for the most & from the very start they pushed the audience to dance. They performed sea shanties and from time to time demanded the access to the sea for the cities L’viv and Przemysl. The refrains were always sung by all musicians thus transferring the audience in the atmosphere of a port tavern, timeless and international. The band had its own compere who read prehistory explanations for each song in broken Ukrainian with a strong Polish accent but it was done very cheerfully. One of the songs was even performed in Ukrainian translation, however nothing was understood but still it was nice. The Polish band 100% has outdone another “noisy” festival that was held at that time nearby the Flugery. ??The «Zbigniew Wrombel - Janusz Szrom Projekt» was the third and the musicians represented the International Jazz Workshop in Hodzyezh (Poland). Despite indicted in the title the names of only two musicians (bassist & respectively - vocalist) it was actually the quartet. The Project was joined by keys and drums. They demonstrated an excellent example of fusion to be played without guitars. The musicians presented their own arrangements of the 60th - 80th Polish Stage parades. They combined jazz, rock and pop in equal proportions despite their quite jazz cast. The light popular melodies were performed by the vocalist sometimes like in Jamiroquai manner and sometimes he implemented his heart-rending rock falsetto and his stage behavior made you to remember the old boy Elvis. The bass echoed him in unison appealing to hard-rock traditions and any rock group would be happy to secure for itself such a drummer as our was. From time to time the jazz nature of the Project exhibited itself but only a few times, gently, as if not to be bore. They seemed even to surpassed their previous fellows as concerning the drive-tension. But if the «Port Przemysl» drive was severe & commoner, the Project’s one - metrosexual & club. The last performance. It was the Project "DrumTyAtr" by Hrytsko Semenchuk and Yurko Izdryk in collaboration with the band "Amsterdam" – Andriy Voityuk (drums), Kyryl Abramov (keys) and Alex Maksymiv (guitar), he lives in Amsterdam & that was his second performance in that day. The fans of actions, happenings, performances and all such like springs of contemporary art at last had the feast: the performance was almost a pure impromptu as the gentlemen had only one rehearsal before the concert. Semenchuk “launched” from his laptop the psychedelic samples and read his poems, Izdryk , replacing, read his own texts accompanied by a modified mandolin (with nylon guitar strings and a pickup from electric guitar) and "amsterdammers" accompanied the both as they like. The best one who has managed to catch the essence of the process was Voytyuk, he very harmoniously joined Semenchuk’s samples, but Maksymiv had no luck for a long time: just only nearly to the the end of the performance his instrument awoke and that was a real mass! If the previous bands were accepted by the audience more or less unanimously, that one divided the listeners into two parts. The first ones gripped their heads and departed, the others melted from pleasure and wrote messages to Semenchuk "I want a baby from you”. Well, the lovers of "polished” concerts were disappointed but the fans of experiments got the top-experimental jam session. After such an ambiguous end of the first Festival’s day the audience went home for a short sleep – in the morning an unusual wake up was prognosticated – “Get Up with Mertvyj Piven”. |