SIXES AND SEVENS by O. HENRY

SIXES AND SEVENS by O. HENRY Main [index.php] Links Partners Map SIXES AND SEVENS War and Peace BOOK EIGHT: 1811 --12 SIXES AND SEVENS I THE LAST OF THE TROUBADOURS Inexorably Sam Galloway saddled his pony. He was going away from the Rancho Altito at the end of a three-months' visit. It is not to be expected that a guest should put up with wheat coffee and biscuits yellow-streaked with saleratus for longer than that. Nick Napoleon, the big Negro man cook, had never been able to make good biscuits. Once before, when Nick was cooking at the Willow Ranch, Sam had been forced to fly from his _cuisine_, after only a six-weeks' sojourn. On Sam's face was an expression of sorrow, deepened with regret and slightly tempered by the patient forgiveness of a connoisseur who cannot be understood. But very firmly and inexorably he buckled his saddle-cinches, looped his stake-rope and hung it to his saddle-horn, tied his slicker and coat on the cantle, and looped his quirt on his right wrist. The Merrydews (householders of the Rancho Altito), men, women, children, and servants, vassals, visitors, employes, dogs, and casual callers were grouped in the "gallery" of the ranch house, all with faces set to the tune of melancholy and grief. For, as the coming of Sam Galloway to any ranch, camp, or cabin between the rivers Frio or Bravo del Norte aroused joy, so his departure caused mourning and distress. And then, during absolute silence, except for the bumping of a hind elbow of a hound dog as he pursued a wicked flea, Sam tenderly and carefully tied his guitar across his saddle on top of his slicker and coat. The guitar was in a green duck bag; and if you catch the significance of it, it explains Sam. Sam Galloway was the Last of the Troubadours. Of course you know about the troubadours. The encyclopaedia says they flourished between the eleventh and the thirteenth centuries. What they flourished doesn't seem clear--you may be pretty sure it wasn't a sword: maybe it was a fiddlebow, or a forkful of spaghetti, or a lady's scarf. Anyhow, Sam Galloway was one of 'em. Sam put on a martyred expression as he mounted his pony. But the expression on his face was hilarious compared with the one on his pony's. You see, a pony gets to know his rider mighty well, and it is not unlikely that cow ponies in pastures and at hitching racks had often guyed Sam's pony for being ridden by a guitar player instead of by a rollicking, cussing, all-wool cowboy. No man is a hero to his saddle-horse. And even an escalator in a department store might be excused for tripping up a troubadour. War and Peace CHAPTER I "Well, Prince, so Genoa and Lucca are now just family estates of the Buonapartes. But I warn you, if you don't tell me that this means war, if you still try to defend the infamies and horrors perpetrated by that Antichrist--I really believe he is Antichrist--I will have nothing more to do with you and you are no longer my friend, no longer my 'faithful slave,' as you call yourself! But how do you do? I see I have frightened you--sit down and tell me all the news." It was in July, 1805, and the speaker was the well-known Anna Pavlovna Scherer, maid of honor and favorite of the Empress Marya Fedorovna. With these words she greeted Prince Vasili Kuragin, a man of high rank and importance, who was the first to arrive at her reception. Anna Pavlovna had had a cough for some days. She was, as she said, suffering from la grippe; grippe being then a new word in St. Petersburg, used only by the elite. All her invitations without exception, written in French, and delivered by a scarlet-liveried footman that morning, ran as follows: "If you have nothing better to do, Count [or Prince], and if the prospect of spending an evening with a poor invalid is not too terrible, I shall be very charmed to see you tonight between 7 and 10 Annette Scherer." "Heavens! what a virulent attack!" replied the prince, not in the least disconcerted by this reception. He had just entered, wearing an embroidered court uniform, knee breeches, and shoes, and had stars on his breast and a serene expression on his flat face. He spoke in that refined French in which our grandfathers not only spoke but thought, and with the gentle, patronizing intonation natural to a man of importance who had grown old in society and at court. He went up to Anna Pavlovna, kissed her hand, presenting to her his bald, scented, and shining head, and complacently seated himself on the sofa. "First of all, dear friend, tell me how you are. Set your friend's mind at rest," said he without altering his tone, beneath the politeness and affected sympathy of which indifference and even irony could be discerned. BOOK EIGHT: 1811 --12 CHAPTER I After Prince Andrews engagement to Natasha, Pierre without any apparent cause suddenly felt it impossible to go on living as before. Firmly convinced as he was of the truths revealed to him by his benefactor, and happy as he had been in perfecting his inner man, to which he had devoted himself with such ardor--all the zest of such a life vanished after the engagement of Andrew and Natasha and the death of Joseph Alexeevich, the news of which reached him almost at the same time. Only the skeleton of life remained: his house, a brilliant wife who now enjoyed the favors of a very important personage, acquaintance with all Petersburg, and his court service with its dull formalities. And this life suddenly seemed to Pierre unexpectedly loathsome. He ceased keeping a diary, avoided the company of the Brothers, began going to the Club again, drank a great deal, and came once more in touch with the bachelor sets, leading such a life that the Countess Helene thought it necessary to speak severely to him about it. Pierre felt that she right, and to avoid compromising her went away to Moscow. In Moscow as soon as he entered his huge house in which the faded and fading princesses still lived, with its enormous retinue; as soon as, driving through the town, he saw the Iberian shrine with innumerable tapers burning before the golden covers of the icons, the Kremlin Square with its snow undisturbed by vehicles, the sleigh drivers and hovels of the Sivtsev Vrazhok, those old Moscovites who desired nothing, hurried nowhere, and were ending their days leisurely; when he saw those old Moscow ladies, the Moscow balls, and the English Club, he felt himself at home in a quiet haven. In Moscow he felt at peace, at home, warm and dirty as in an old dressing gown. Moscow society, from the old women down to the children, received Pierre like a long-expected guest whose place was always ready awaiting him. For Moscow society Pierre was the nicest, kindest, most intellectual, merriest, and most magnanimous of cranks, a heedless, genial nobleman of the old Russian type. 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